Every man his own painter; or, Gilman's guide to house painting and graining .. by Gilman Anson

Author:Gilman, Anson. [from old catalog]
Language: eng
Format: epub, pdf
Tags: Painting, Industrial
Publisher: Lewiston, Me., Printed by G. A. Callahan
Published: 1871-03-25T05:00:00+00:00

To Grain Chestnut.

To grain chestnut, proceed about the same as with oak, with the exception of blending the grain. It should also be gi-ained a little coarser.

Yellow Birch.

Prepare a buff ground, and put on a graining color composed of two parts raw Sienna and one part burnt Umber. Have ready another dish of colors, composed of .one part raw Sienna and two parts burnt Umber. Then with a separate sponge partly filled with the last color, and before the first is dry, pass over the first near the edges in an off-hand manner, as you see the dark streaks in a birch board, and blend quickly, crosswise the work.

Mahogany.

The groundwork for mahogany is a light salmon color, and the graining colors are

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